This is the story of Lakshmi, a young Ceylonese girl brought to Malaya in 1930, as the young bride of an older man, and her children and grandchildren.
Lakshmi narrates the first part of the book, where she explains about her childhood and how she is tricked into marriage, but then goes on to have six children. The baton is then passed between various characters as we witness events from their individual points of view and learn how the tragedy that befell Lakshmi’s family haunted the further generations. The book ends up in the current day, and as a result the reader is presented with details of the a changing country, and learns how WWII shaped and changed the lives of so many.
To give away much more of the plot would be to start revealing spoilers, but suffice to say that this is an enchanting and moving read. The narrators all have their own distinct personalities and perceptions of various events and each other. Some parts were harrowing to read as people struggled with the effects of the war, made wrong decisions and lived with regret. Lakshmi is the matriarch of this family and her strength, intelligence and determination are clear for all to see.
Malay(si)a is brought to vivid life, and I felt able to really imagine the place with all it’s vibrancy and energy. Towards the end, the language did become a little bit ‘flowery’ and I felt that the book was perhaps slightly too long, although it packed a lot into it’s pages and certainly never got boring.
This was the debut novel by this author and very impressive it is too. I will be seeking out further work by Rani Manicka.
n what was a departure for Sarah Waters after three (extremely popular) Victorian novels, this book is set during and around the time of WWII. It tells the story of four characters - Kay; a lonely woman, tired of life and love; Viv, a young beauty who is loyal to her Soldier lover, despite her reservations; Helen, Viv's colleague who is harbouring troubling thoughts about her relationship; and Duncan, Viv's younger brother who has been through some troubling times.
Sarah Waters employs an unusual plot device in splitting the book into three parts which move backwards chronologically. The first part is set in 1947, when England is recovering from war, and we watch the characters moving through their lives. The second part is set in 1944, at the height of WWII, and the first part is set in 1941. (However, each individual section moves forward and tells the events of a few weeks or months in the characters' lives.) The second and third parts start to fill in the blanks in their lives so that we discover how they came to find themselves in the situations they are in at the beginning (or the end) of the novel.
Every character - even the peripheral ones - is described wonderfully so that the reader really feels that they have come to know these people. They are decent characters, but each with their very personal and believeable flaws. 1940s London is also portrayed very vividly and beautifully, with the ravaged city almost being a fifth main character.
I have always thought that Sarah Waters is a wonderful and very talented novelist - this book serves to confirm my opinion further. I found myself anxious to know how the story turned out, and it held my attention completely. Highly recommended.
This rather beautiful books tells the story of three women, two of whom – Aibileen and Minny – are black maids working for white families in Jackson, Mississippi, in the 1960s, when racial segregation meant that black and white people could not mix socially, could not use the same restaurants, and could not go to the same hospitals or churches. The third woman is a white girl named Skeeter, who comes home from college with dreams of becoming a writer. She eventually decides to write a book about what it is like to be a black maid working for a white family, and she, Aibileen and Minny become embroiled in an exciting and potentially dangerous project.
I’m not sure I can accurately put into words how much I enjoyed this book. The three narrators’ voices (Aibileen, Minny and Skeeter) come through beautifully and each character is distinct and wholly believeable. We see each character’s life through their own eyes, and watch as they cope with their own problems (Aibileen is still grieving over the death of her son, and trying hard to make the young child she looks after grow up to be a nice person; Minny lives with an abusive husband and several demanding children; Skeeter has an over-bearing mother who won’t explain the sudden disappearance of Skeeter’s beloved childhood maid).
As well as the three central characters, there are a multitude of other people of great importance to the storyline. Hilly Holbrook is a long time friend of Skeeter’s, but the bond between them is pulled very taut as the hypocritical and bigoted Hilly dislikes Skeeter’s desire for awareness and change. Their other best friend, Elizabeth Leefolt, is Aibileen’s boss and it is her daughter who Aibileen cares for (seemingly far more than Elizabeth does). However, my favourite of the ’supporting’ players is Celia Foote – Minny’s boss, who herself feels an outsider, as Hilly and her friends consider that she is not good enough to associate with them.
Historical events such as the death of JFK and Martin Luther King’s famous “I have a dream” speech are covered here, adding to the already very real sense of the time in which this novel is set.
One of the things I most admired about the novel is that the author does not just show the characters as either good or bad. She shows them as totally believable people. Some of the nicer people sometimes do less-than-good things, and some of the not-so-nice characters in the book can show that they have a heart.
I loved this book, and would say it is definitely my favourite book out of all that I have read this year. It’s thought-provoking, funny in places (look out for the scene with the toilets), and it made me cry in other places. I was riveted throughout; my attention was grabbed on page one, and was held right through to the last page.
Utterly fantastic read, and very strongly recommended. 10/10
First, we're happy to announce that the team has identified and fixed the issue with the YouTube conduit; you can now find and add videos from YouTube to your library and posts. As always, thanks for your patience!
The other news we have today is about a new addition to the Six Apart family: TypePad Micro, a new free level of TypePad that is streamlined for microblogging. We see a new form of blogging emerging that lives between the quick status updates of Twitter and Facebook and the long-form posts of "classic" blogging; TypePad Micro is designed to meet that need. You can read more about TypePad Micro in Chris Alden's post on the Everything TypePad blog.
A lot of the new capabilities we've added to TypePad this year were actually inspired by some of the best things about Vox: favoriting, member profiles, a dashboard to follow other bloggers, and easy ways to post content from other social media sites. But the things that make Vox different from TypePad are still there: Vox has always been -- and still is -- the best place for "friends and family" blogging, where you're in control over who sees what. TypePad, on the other hand, is built for the blogger who wants, no, craves, attention.
Do you have a passion or interest you want to share with people beyond your Vox neighborhood? If so, we'd love it if you tried out TypePad Micro. Maybe you've always wanted to start that obsessive blog that's just about waffle restaurants. Or want a place to share videos of your favorite band (Jonas Brothers, anyone? Anyone? ...). TypePad Micro's great for those topic-specific blogs. Take it for a spin and let us know what you think.
On the Vox front, our designers are working on some cool new themes (coming soon!). We'd also love to hear your thoughts about where we should take Vox in the coming year. What are the key things you'd like to see for Vox? If you've had a chance to use TypePad this year, what are the features there that we should bring over to Vox? And, if you're thinking big thoughts, how could we connect the Vox and TypePad communities in order to bring together bloggers and their shared passions? Your feedback is really important to us, so please leave a comment here, or shoot me a message.
And again, thanks for your patience as we found and fixed the YouTube bug!
~ daisy
In medieval 1193, while the King, Richard the Lionheart is held captive by the Holy Roman Emperor Henry VI, many people in England find themselves short of food and provisions, due to the efforts made to raise the ransom for the King’s release. In Hawkenlye Abbey, things are no different, and Abbess Helewise is struggling to make ends meet. So she is delighted when her son Leofgar arrives for a visit with his wife Rohaise and their young son Timus. However, it soon becomes clear that Leofgar and Rohaise are hiding something; Rohaise is terrified of her own shadow, and Timus barely speaks. As the family stay at the Abbey, their states of mind improve and things seem to be getting better. However, when a man is found hung, strung from a tree near to the Abbey, Leofgar, Rohaise and Timus leave the premises unannounced and are nowhere to be found.
Aided by her faithful friend, the Knight, Sir Josse D’Acquin, Helewise sets out to solve the mystery of the man’s hanging and her own son’s disappearance. In doing so, she has to look into her own past, when she was a wife and mother to the handsome Ivo, and ask herself if her husband’s family were really the good people that she believed them to be.
This book is one of a series set around Abbey Hawkenlye, with the Abbess at it’s centre. However, this was easy to read as a stand-alone novel, and I did not feel that lack of knowledge of the background of the characters hindered my reading at all.
The story moved along quickly, without ever feeling too rushed. It is an undemanding read, which made it perfect for curling up with to relax. The mystery at the heart of the story was intriguing enough to hold my interest throughout, and I found myself engrossed enough to consider reading the other books in the series.
The sense of the period in which the book was set was conveyed well, but this book was really more about the events which happened, rather than portraying life in the medieval period. For instance, the situation with the captivity of Richard the Lionheart was mentioned only at the beginning of the story, and in no way really effected the events in the book. I also enjoyed the parts where Helewise reminisced about her past – for readers of the whole series, I imagine this may have filled in a lot of gaps about the character’s life.
Having said that, the characterisation wasn’t brilliant. Josse was extremely likeable and was probably my favourite character throughout the book. However, there was little exploration of the other characters. However, this did not detract from my enjoyment.
Overall then, this is a leisurely read, and I don’t believe that a special interest in the medieval period is necessary for this book to be enjoyed. I would certainly read more by this author.
As many of you have noticed, the YouTube Conduit is not working. I am so sorry about this; I know how frustrating it is.
The team is looking into how to get this fixed and I will update you as soon as I hear something. In the meantime, not all is lost... There is a work-around for posting videos.
When you're in the Compose Screen, just click on "embed." Ignore the fact that it says "Widget" before everything because you can definitely use this to embed videos as well. You'll just need to input the embed code from the video, enter a title (if you want) and hit OK.
It might not show up perfectly in your compose screen, but when you hit "Save," your video should appear just the way you wanted it to.
Hopefully this will allow you to keep posting videos while we figure out what's happening on our end.
As always, thanks for your patience.
Lincoln Rhyme is New York City's best Criminalist, who has helped solve some of the most perplexing crimes that have been committed in the city. He is also a quadraplegic, as the result of an accident at a crime scene, three years before; and has decided to kill himself. But then the Police need his help. Someone is committing brutal and seemingly random attacks in the city, and the only person who can solve the clues left behind is Rhyme. However, Rhyme can't walk the crime scenes himself, so he needs somebody to do it for him. Amelia Sachs is working her last shift as a Patrol Officer, before she transfers into Public Affairs. But the scene she stumbles across in the morning, leads her head-first into a new investigation, where she finds herself being the eyes and ears of Lincoln Rhyme...
This is the first novel in the Lincoln Rhyme series, and I felt that it did a great job of introducing the two main characters, Rhyme and Sachs. The story itself had a lot of twists and turns, and there were some genuine surprises along the way. I was never able to second guess what was going to happen, and the action moved along at a fast pace, making me want to keep reading.
As well as the main storyline, about Rhyme and his hastily assembled team trying to solve the case, the relationship between Rhyme and Sachs is explored, and as a result, I felt that I got to know the two characters well.
The other characters weren't so well developed (with the exception of Rhyme's aide Thom, who I adored), but that did not detract from the enjoyment of the book. As this is the first in a series, there is presumably plenty of time to get to know the others.
I did feel that at times, the storyline about the kidnappings stretched credibility somewhat. Rhyme is certainly supposed to be brilliant, but on occasions he seemed able to deduce something very specific from the vaguest of clues. This is the course the character's job, but it did feel slight unbelieveable. However, there was enough excitement and intrigue in this book for me to forgive that minor niggle.
Overall, this is a cut above a lot of other crime based novels, and is very cleverly written. (it's very evident that Deaver has done his research with regards to forensic work and equipment). A highly recommended read.